人格地層 Persona Layer

陶塑人格層 Ceramic Persona Layer

從線稿轉成陶塑、立體角色與可被繞行的人格，使公仔也成為生命容器。 Ceramic figures and walk-around personas as vessels of character and life.

陶塑人格層分類 Ceramic Persona Layer Categories

視界之外與雙面人格 Beyond the Field of Vision and Double Persona

這一段從外部視界、符號表情與雙面狀態出發，讓陶塑人格帶著可被繞行的多重面向。 This section begins with outer vision, symbolic expression, and doubled states, allowing ceramic personas to hold multiple aspects that can be viewed in the round.

來自視界之外 Beyond the Field of Vision

來自視界之外代表陶作 — 視界之外的分身，帶著多重感官向世界靠近。 A double from beyond the field of vision approaches the world with multiple senses.

作品資訊 Work Details

作品名稱 Title: 來自視界之外 Beyond the Field of Vision
年份 Year: 2019
媒材 Medium: 陶土、化妝土、釉藥 Clay, engobe, glaze
尺寸 Dimensions: 17×9×33cm
系列 Series: 陶塑人格層 Ceramic Persona Layer

一個從視界之外走來的自我分身，帶著眼睛、孔洞與張開的口器接收世界，也向世界發出內在的聲音。 A double of the self arrives from beyond vision, receiving the world through eyes, openings, and an open mouth while sending an inner voice outward.

觀看來自視界之外高清原圖 View Beyond the Field of Vision in High Resolution

歡顏與記號 Grin and Signs

歡顏與記號歡顏面 — 歡顏的一面，以張開的笑容顯露身體的外向表情。 The smiling side reveals the body's outward expression through an open grin.

歡顏與記號記號面 — 歡顏的一面，以張開的笑容顯露身體的外向表情。 The smiling side reveals the body's outward expression through an open grin.

雙面微笑 Double Smile

雙面微笑正面全貌 — 正面全貌：一張帶著鬍鬚與凝視的臉，像把戲謔、疲憊與清醒同時戴在身上。 Full front view: a face with moustache and gaze wears playfulness, fatigue, and lucidity at once.

雙面微笑側面 — 正面全貌：一張帶著鬍鬚與凝視的臉，像把戲謔、疲憊與清醒同時戴在身上。 Full front view: a face with moustache and gaze wears playfulness, fatigue, and lucidity at once.

作品資訊 Work Details

作品名稱 Title: 雙面微笑 Double Smile
年份 Year: 2023
媒材 Medium: 陶土、化妝土、釉藥 Clay, engobe, glaze
尺寸 Dimensions: 9×6×16cm
系列 Series: 陶塑人格層 Ceramic Persona Layer

一張臉藏著另一張臉，微笑與凝視在同一個身體裡交換位置。 One face hides another; smile and gaze exchange positions within the same body.

觀看正面全貌高清原圖 View Full Front Image in High Resolution 觀看側面高清原圖 View Side Image in High Resolution 觀看背面微笑高清原圖 View Back Smile in High Resolution

陶塑人格層分類 Ceramic Persona Layer Categories

沉默的語言 Language of Silence

最後兩件作品收在無言與無語之間，讓沉默本身成為一種姿態，也成為陶塑人格最內部的聲音。 The final two works rest between wordlessness and speechlessness, making silence itself a posture and the innermost voice of the ceramic persona.

無言 Wordless

無言頭部近照 — 眼孔與面部細節，留下無法說出的凝視。 Eye openings and facial details preserve a gaze that cannot be spoken.

無言正面陶塑 — 眼孔與面部細節，留下無法說出的凝視。 Eye openings and facial details preserve a gaze that cannot be spoken.

無語 Speechless

無語正面陶塑 — 圓形身體托住睜大的眼睛，像語言抵達之前的停頓。 The rounded body holds a wide-open eye, like a pause before language arrives.

無語斜側陶塑 — 圓形身體托住睜大的眼睛，像語言抵達之前的停頓。 The rounded body holds a wide-open eye, like a pause before language arrives.

陶塑人格層把角色從紙面推向空間，讓表情、手勢與沉默都成為可以被觀看的立體證據。 The Ceramic Persona Layer pushes characters from the page into space, turning expression, gesture, and silence into sculptural evidence that can be seen.

這些作品像人格考古學最靠近身體的一層，讓內在角色真正站到觀者面前。 These works form the layer of Archaeology of Persona closest to the body, allowing inner figures to stand before the viewer.