作品觀看 Work View
陶與生命容器 Ceramic Beings
陶土在這個系列中不只是器皿，而是與雙手、觸覺、動作與想像一起參與生成的身體。眼睛、嘴巴、孔洞、花與痕跡彼此牽引，讓每件作品在尚未被命名之前，先慢慢長成可以觀看、呼吸與回應的生命。 In this series, clay is not merely a vessel, but a body that participates in emergence together with the hands, touch, movement, and imagination. Eyes, mouths, openings, flowers, and traces draw one another together, allowing each work to slowly grow into a life that can gaze, breathe, and respond before it is named.
代表短片 Featured Short
心生相 Inner Form
作為《陶與生命容器系列》的第一件作品，《心生相》像是整個系列最初的入口，讓內在形象從陶土、孔洞與器形之間慢慢顯現。 As the first work in Clay and Vessels of Life, Inner Form becomes the series' first threshold, where inner images slowly appear through clay, openings, and vessel-like form.
策展入口 Curated Entry
從器物看見生命如何停駐 Seeing How Life Dwells in Vessels
這個系列可以先從五件代表作品進入：從最初的《心生相》，到拒絕被功能命名的《非花器》，再走向凝視、祭儀與回望。它們讓陶土不只是容器，而是在眼神、呼吸、記憶與雙手的往返之中，逐漸讓生命成形的場所。 The series may be entered through five representative works: from the first Inner Form to Not a Vase, which resists being defined by function, and onward to gaze, ritual, and looking back. Together, they make clay more than a vessel: it becomes a place where life gradually takes form through the interplay of gaze, breath, memory, and the hands.
作品短片 Work Video
花靈之祭：戴著大花帽的花靈 Flower Spirit Ritual: A Flower Spirit Wearing a Great Blossom Hat
一分鐘短影音以慢速旁白靠近這件作品：花朵、果實與孔洞被安置在陶土祭台上，也像一位戴著大花帽、安靜凝望的優雅女人。 This one-minute video approaches the work through a slow voiceover: flowers, fruit, and openings rest on a clay altar, like an elegant woman wearing a great blossom hat and gazing in silence.
陶與生命容器分類 Clay and Vessels of Life Categories
生命容器的生成 The Formation of Life Vessels
這一段從器形、孔洞與身體開始，讓陶土慢慢脫離單純功能；內在形象不是被安放進容器，而是在陶土、雙手與形體變化之間逐漸顯現。 This section begins with vessel forms, openings, and bodies, allowing clay to gradually move beyond simple function. Inner images are not placed inside a container; they gradually emerge through the interplay of clay, the hands, and changing form.
心生相 Inner Form
孤芳自賞 Solitary Bloom
非花器 Not a Vase
左足之房右足之屋 House of the Left Foot, Dwelling of the Right Foot
陶與生命容器分類 Clay and Vessels of Life Categories
凝視與訊號 Gaze and Signals
眼睛、表情與不可言說的訊號在這裡浮現，使觀看不再只是外部動作，而變成作品與觀者之間的相互回應。 Eyes, expressions, and unspeakable signals emerge here, turning viewing from an external act into a mutual response between work and viewer.
被視之物 Beheld Objects
三件一組的被視之物，像三個被看見的瞬間；它們彼此靠近，卻各自保留自己的沉默。 This group of three beheld objects feels like three moments of being seen. They stand close together, yet each keeps its own silence.
被封存的臉 Sealed Face
- 作品名稱 Title
- 被封存的臉 Sealed Face
- 年份 Year
- 2025
- 媒材 Medium
- 陶土、釉藥 Clay, glaze
- 尺寸 Dimensions
- 19×11×6cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
眼睛、鼻樑與紅色痕跡被保存在陶土裡，像一段還沒說完的記憶。 Eyes, nose bridge, and red traces are preserved in clay, like a memory not yet fully spoken.
開啟作品照片 Open Work Photo
被視之面 Beheld Face
- 作品名稱 Title
- 被視之面 Beheld Face
- 年份 Year
- 2025
- 媒材 Medium
- 陶土、釉藥 Clay, glaze
- 尺寸 Dimensions
- 7×11×20cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
它的眼睛向前張開，讓觀看變成一種相遇，而不是單方面的凝視。 Its eyes open forward, turning viewing into an encounter rather than a one-sided gaze.
開啟作品照片 Open Work Photo
被視之痕 Trace of Being Seen
- 作品名稱 Title
- 被視之痕 Trace of Being Seen
- 年份 Year
- 2025
- 媒材 Medium
- 陶土、釉藥、複合媒材 Clay, glaze, mixed media
- 尺寸 Dimensions
- 11×7×16cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
孔洞與裂紋在表面展開，不只是傷口的再現，也是仍然持續呼吸的痕跡。 Openings and cracks spread across the surface, not only as wounds, but as traces of continued breathing.
開啟作品照片 Open Work Photo靜鳴者 Silent Resonator
視覺訊號 Visual Signals
視覺訊號是一組關於觀看、接收與回望的六件小品，像六個從身體表面浮出的訊息介面。 Visual Signals is a set of six small works about seeing, receiving, and looking back, like message interfaces rising from the body's surface.
初始接收 Initial Reception
- 年份 Year
- 2022
- 媒材 Medium
- 陶土、釉藥 Clay, glaze
- 尺寸 Dimensions
- 15×15×1cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
一個訊號剛被身體接住，眼、孔與圓形開始形成最早的觀看。 A signal has just been received by the body; eye, opening, and circle begin the earliest act of seeing.
開啟作品照片 Open Work Photo
內部迴路 Inner Circuit
- 年份 Year
- 2022
- 媒材 Medium
- 陶土、釉藥 Clay, glaze
- 尺寸 Dimensions
- 14×14×1cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
圓形像核心，線條與孔洞像訊息在內部慢慢流動。 The circle becomes a core, while lines and openings let messages move slowly inside.
開啟作品照片 Open Work Photo
口的發送 Mouth Transmission
- 年份 Year
- 2022
- 媒材 Medium
- 陶土、釉藥 Clay, glaze
- 尺寸 Dimensions
- 12×12×1cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
紅色的口形出現，觀看開始轉成一種向外傳遞的聲音。 A red mouth-shape appears, turning sight into a voice sent outward.
開啟作品照片 Open Work Photo
複眼之面 Faceted Eye Face
- 年份 Year
- 2022
- 媒材 Medium
- 陶土、釉藥 Clay, glaze
- 尺寸 Dimensions
- 13×13×1cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
多個眼形圍繞中心，像一張同時從不同方向觀看的臉。 Several eye forms gather around the center, like a face looking from many directions at once.
開啟作品照片 Open Work Photo
多頻通道 Multi-Frequency Channel
- 年份 Year
- 2022
- 媒材 Medium
- 陶土、釉藥 Clay, glaze
- 尺寸 Dimensions
- 14×14×1cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
圓形、孔洞與符號排列成一個接收多重訊息的介面。 Circles, openings, and signs form an interface receiving multiple signals.
開啟作品照片 Open Work Photo
回返之眼 Returning Eye
- 年份 Year
- 2022
- 媒材 Medium
- 陶土、釉藥 Clay, glaze
- 尺寸 Dimensions
- 14×14×1cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
眼與鼻形重新聚合，訊號像從外部回到身體中央。 Eye and nose forms gather again, as if the signal has returned from outside to the center of the body.
開啟作品照片 Open Work Photo被視之後 After Being Seen
被觀看之後，形體留下新的影與痕，像目光在陶土表面延遲顯影。 After being seen, the form leaves new shadows and traces, as if the gaze develops slowly on the clay surface.
被視之形 Form After Being Seen
- 作品名稱 Title
- 被視之形 Form After Being Seen
- 年份 Year
- 2024
- 媒材 Medium
- 陶土、釉藥 Clay, glaze
- 尺寸 Dimensions
- 20×6×23cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
被視之影 Shadow After Being Seen
- 作品名稱 Title
- 被視之影 Shadow After Being Seen
- 年份 Year
- 2025
- 媒材 Medium
- 陶土、釉藥 Clay, glaze
- 尺寸 Dimensions
- 16×20×16cm
- 系列 Series
- 陶與生命容器系列 Clay and Vessels of Life Series
陶與生命容器分類 Clay and Vessels of Life Categories
花與祭儀 Flowers and Ritual
花在這裡不只是裝飾，而像一種被供奉的生命象徵；器物、果實與祭台共同構成安靜的儀式。 Here, flowers are not decoration but offerings of life. Vessel, fruit, and altar form a quiet ritual together.
花之器 Flower Vessel
花靈之祭 Flower Spirit Ritual
花之舞 Dance of Flowers
陶與生命容器分類 Clay and Vessels of Life Categories
生命角色與陪伴者 Life Figures and Companions
當容器逐漸接近角色，陶土便不只是承載，而成為可以陪伴、回望與守護的生命身體，讓生命以更親近的姿態慢慢成形。 As the vessel gradually approaches the figure, clay no longer merely holds; it becomes a living body capable of accompanying, looking back, and guarding, allowing life to slowly take form in a more intimate presence.
快樂天堂 Joyful Paradise
凝視之貓 Gazing Cat
希望之翼 Wings of Hope
回眸 Returning Gaze
陶與生命容器，不是把生命放進陶土裡，而是在陶土、雙手、觸覺、動作與想像的往返之中，讓形體在命名之前先慢慢出現。 Ceramic Beings does not place life into clay. Through the movement between clay, hands, touch, gesture, and imagination, form slowly appears before it is named.
創作到後來，我常常不知道雙手最後會帶我走向哪裡；直到形體逐漸生成，我才重新看見其中出現的眼睛、聲音、花、記憶，以及那些尚未被命名的生命。 As the process became freer, I often no longer knew where my hands would lead; only as the form emerged did I begin to see eyes, voices, flowers, memories, and lives that had not yet been named.