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古文明的裂生 Ancient Civilization Reborn Through Cracks

古文明的裂生，是我在殘片、裂縫與時間的沉積中，看見文明重新生成的系列。它們不是被復原的遺跡，而是從破碎之處長出的生命形態。 Ancient Civilization Reborn Through Cracks is a series in which I see civilization regenerating within the sediments of fragments, cracks, and time. They are not restored ruins, but forms of life growing out of broken places.

策展入口 Curated Entry

從裂縫中重新誕生的文明 A Civilization Reborn from Cracks

這個系列的觀看可以從裂縫開始，沿著神話、殘片、柱體與複合身體逐步深入。陶土在這裡不是重建遺跡，而是讓失落文明以新的生命形態再次顯現。 The viewing begins with cracks, then moves through myth, fragments, pillars, and composite bodies. Here, clay does not rebuild ruins; it allows lost civilization to reappear as a new form of life.

古文明的裂生 古文明的裂生 Ancient Civilization Reborn Through Cracks 裂縫與神話的入口 Entrance of Cracks and Myth 記憶之柱 記憶之柱 Pillar of Memory 殘片、面孔與記憶 Fragments, Faces, and Memory 複合之身 複合之身 Body of Many Spirits 複合身體與神祇 Composite Bodies and Deities 八地神祇 八地神祇 Eight Earth Deities 土地與小型祭壇 Land and Miniature Altars

古文明的裂生分類 Ancient Civilization Reborn Through Cracks Categories

裂縫與神話的入口 Entrance of Cracks and Myth

裂縫不是破壞的終點，而是文明重新顯影的開口；神話、海洋與傾聽在這裡成為第一層入口。 A crack is not the end of destruction, but an opening where civilization appears again. Myth, ocean, and listening become the first threshold.

古文明的裂生
沉睡的文明，仍在裂縫中呼吸。 A sleeping civilization still breathes inside the cracks.

海神的記憶 Memory of the Sea God

海神的記憶
有些神話沉入海底，卻從未被時間遺忘。 Some myths sink beneath the sea, yet time never forgets them.

傾訴與傾聽 Telling and Listening

傾訴與傾聽
每個故事，都在等待願意傾聽的人。 Every story waits for someone willing to listen.

古文明的裂生分類 Ancient Civilization Reborn Through Cracks Categories

殘片、面孔與記憶 Fragments, Faces, and Memory

當文明不再以完整形貌回來，殘片、孔洞與柱體便成為記憶留下的證物，也讓面孔在時間中重新聚合。 When civilization no longer returns whole, fragments, openings, and pillars become evidence left by memory, allowing faces to gather again inside time.

遺失的文明 Lost Civilization

遺失的文明
一尊由獸首、面孔與殘片交疊而成的古老守護者，像失落文明在陶土中重新甦醒。 An ancient guardian made of beast head, faces, and fragments seems to awaken a lost civilization within clay.

記憶之柱 Pillar of Memory

記憶之柱正面
正面聚集多張面孔與孔洞，像文明記憶被一層層刻在柱體上。 The front gathers many faces and openings, as if civilizational memory were carved layer by layer into the pillar.
記憶之柱側面一
側面一拉出柱體的厚度，讓殘存凝視像時間沉積般延伸。 Side view I reveals the pillar's depth, extending its remaining gazes like sediments of time.
記憶之柱側面二
側面二呈現另一組裂痕與表情，使記憶不只停留在單一正面。 Side view II reveals another set of cracks and expressions, so memory is not confined to a single front.

表象與內在 Appearance and Inner Life

表象與內在正面
正面維持完整面孔的安靜表象，像一件等待被翻開的古老遺物。 The front keeps the quiet appearance of a complete face, like an ancient relic waiting to be opened.
表象與內在反面
反面顯露孔洞與內部層次，讓被隱藏的生命從背後浮現。 The reverse reveals openings and inner layers, allowing hidden life to emerge from behind.

古文明的裂生分類 Ancient Civilization Reborn Through Cracks Categories

複合身體與神祇 Composite Bodies and Deities

系列後段的陶塑逐漸走向身體、守護者與神祇群像，使文明殘影轉化為可以被繞行的生命存在。 In the later works, the clay forms move toward bodies, guardians, and deities, transforming civilizational afterimages into living presences one can circle around.

複合之身 Body of Many Spirits

複合之身正面
正面讓臉孔、獸形與葉片聚合成一具複合的古老身體。 The front gathers faces, beast forms, and leaves into one ancient composite body.
複合之身側面一
側面一顯示形體交疊的厚度，像多個靈魂暫時靠在一起。 Side view I reveals the thickness of overlapping forms, like several souls leaning together for a moment.
複合之身側面二
側面二保留孔洞與轉折，使文明殘像在不同角度中繼續變形。 Side view II keeps the openings and turns, allowing the civilizational afterimage to keep changing from different angles.

遙遠的佇立 Distant Standing

遙遠的佇立正面
正面細長身影帶著殘片般的面孔，靜靜守住遠古的痕跡。 The slender front view carries a fragment-like face, quietly guarding traces of the ancient past.
遙遠的佇立側面一
側面一讓身體變得更孤獨，像時間把它推向遠方。 Side view I makes the body feel more solitary, as if time has pushed it into the distance.
遙遠的佇立側面二
側面二呈現另一道凝視，使佇立的姿態多了一層沉默。 Side view II reveals another gaze, adding a further layer of silence to its standing posture.

八地神祇 Eight Earth Deities

八地神祇棚拍群像
群像並置時，八件神祇像從同一片土地中被召喚出來。 Placed together, the eight deities seem summoned from the same ground.
八地神祇另一視角
另一視角拉開神祇之間的距離，讓守護感更像一場小型儀式。 Another angle opens the distance between the deities, turning their guardianship into a small ritual.

古文明的裂生，不是回到過去，也不是復原一個已經完成的文明；而是讓殘片、裂縫、神祇與時間留下的痕跡，經由觀看、想像與陶土，再次生成新的生命形態。 Ancient Civilization Reborn Through Cracks is neither a return to the past nor a reconstruction of a civilization already complete. Through seeing, imagination, and clay, fragments, cracks, deities, and traces left by time become part of the emergence of new forms of life.