又禎宇宙Yuzen Universe
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04.2 / 早期創作 Early Works

畫之始 Painting Origin

早期繪畫與線條的起點，保留觀看、記號與形象生成的初始痕跡。 The beginning of painting, marks, and image-making.

畫之始之一 Painting Origin I

最初的凝視 The First Gaze

自畫像、粉紅色的夜晚與凝視的線條，讓「我」先以眼睛和情緒出現，成為後來人格圖像最早的入口。 Self-portraits, a pink night, and gazing lines let the I first appear through eyes and emotion, becoming the earliest entrance to later persona images.

最早的自畫像 Earliest Self-Portrait

最早的自畫像
小小的紙面裡，紫色線條勾出最初的臉孔，也讓自我第一次以形象的方式被看見。 On a small sheet of paper, purple lines draw the first face and allow the self to be seen as an image for the first time.

今夜應屬於粉紅色的 Tonight Belongs to Pink

今夜應屬於粉紅色的
粉紅色的線條覆在凝視的臉上，像年少時第一次把情緒、顏色與自我意識畫成同一張肖像。 Pink lines cover a gazing face, like the first youthful attempt to draw emotion, color, and self-awareness into one portrait.

眼裡只有妳 Only You in My Eyes

眼裡只有妳
凝視被拆成流動的線條與多重眼睛，像心裡只看見一個人時，整個世界也跟著變形。 Gaze is broken into flowing lines and multiple eyes, as if when the heart sees only one person, the whole world changes shape.

畫之始之二 Painting Origin II

樹精與生命線 Tree Spirits and Lines of Life

線條開始離開單純的臉，轉向植物性的身體與精靈般的生命，把紙面變成可以生長的地方。 Line begins to leave the simple face and turn toward plant-like bodies and spirit-like life, making paper a place where things can grow.

樹精之舞 Dance of the Tree Spirit

樹精之舞
像樹、像人、也像正在舞動的靈，身體在流動線條中伸展出眼睛、枝條與尚未成形的生命感。 Like tree, human, and dancing spirit, the body extends eyes, branches, and unformed life through flowing lines.

樹精之傲 Pride of the Tree Spirit

樹精之傲
樹已成精，彷彿像人一般，有著犀利的眼，更有著像人一樣的傲氣，流淌在天地之間。 The tree has become a spirit, almost human, with sharp eyes and human pride flowing between earth and sky.

開心 Happiness

開心
黑白線條與一抹紅色，把表情、身體和想像連成早期創作裡明亮的生命形象。 Black-and-white lines and a touch of red connect expression, body, and imagination into a bright early life image.

畫之始之三 Painting Origin III

角色與自我原型 Figures and Archetypes of Self

小丑、面具與自畫像把表演和真實放在同一張紙上，也讓後來「人格考古學」中的角色意識逐漸浮出。 Clown, mask, and self-portrait place performance and truth on the same sheet, allowing the later role-consciousness of Archaeology of Persona to surface.

小丑與面具 Clown and Mask

小丑與面具
小丑高舉面具，笑容、角色與另一張臉在同一個身體裡輪番現身。 The clown raises a mask; smile, role, and another face take turns appearing within one body.

自畫像的起源 Origin of the Self-Portrait

自畫像的起源
臉孔被線條、眼睛與裝飾性紋路慢慢打開，自我在凝視裡開始生成。 The face is slowly opened by lines, eyes, and ornamental patterns; the self begins to form within the gaze.

畫之始之四 Painting Origin IV

線條的飛行與關係 The Flight and Relations of Lines

絲帶、飛翔、祝福與晚年的臉彼此靠近，讓早期線條從自我延伸到關係，也慢慢長出更柔軟的敘事。 Ribbons, flight, blessing, and an elderly face draw close, allowing early line to extend from self into relation and grow a softer narrative.

絲帶的聯想 Ribbon Association

絲帶的聯想
彩色線條像絲帶般在空白裡旋轉，臉孔、植物與身體的想像輕輕交疊。 Colored lines turn like ribbons through blank space, gently overlapping images of face, plant, and body.

想飛的心 A Heart That Wants to Fly

想飛的心
臉孔、羽翼與植物性的姿態交織在一起，讓心裡的飛翔願望長成彩色生命。 Face, wings, and plant-like posture intertwine, letting the wish to fly become a colored life.

新郎與新娘 Bridegroom and Bride

新郎與新娘
兩只玻璃花瓶被畫成並肩站立的身影，色彩與花紋讓祝福有了可愛的臉。 Two glass vases are drawn as figures standing side by side; color and pattern give blessing a tender face.

老頑童 The Playful Elder

老頑童
銀白的頭髮、斜斜的眼神與微笑，讓這張臉像一位仍然保有孩子氣的老人。 Silver-white hair, a slanted gaze, and a smile make this face feel like an elder who still keeps a child's playfulness.

畫之始像一冊早期圖像日記，記錄線條如何從一張臉、一個眼神，慢慢走向角色、植物、關係與生命想像。 Painting Origin is like an early visual diary, recording how line moves from a face and a gaze toward figures, plants, relations, and life imagination.

它不是成熟系列的附錄，而是整個又禎宇宙最初開始觀看自己的地方。 It is not an appendix to the mature series, but the place where the Yuzen Universe first began to see itself.

返回所有早期創作 Back to All Early Works