又禎宇宙Yuzen Universe
返回早期創作 Back to Early Works

04.1 / 早期創作 Early Works

陶之始 Clay Origin

最初以陶土靠近生命形貌的練習，從容器、孔洞與身體感開始。 The first clay gestures begin with vessels, openings, and bodies.

陶之始之一 Clay Origin I

樹精初生 The First Birth of Tree Spirits

早期陶土先以樹精的姿態甦醒，從昂首、懷抱與生長的身體中，慢慢建立又禎宇宙最初的生命語彙。 Early clay first awakens as tree spirits, gradually forming the first life vocabulary of the Yuzen Universe through lifted heads, embraces, and growing bodies.

樹精之傲 Pride of the Tree Spirit

樹精之傲主視角
第一個昂首甦醒的樹精，以獸形般的姿態把自然與靈魂帶入陶土。 The first tree spirit awakens with its head raised, bringing nature and soul into clay through an animal-like posture.
樹精之傲側面
側面拉出頭部與身體的弧線，讓樹精像正向前伸展、準備發聲。 The side view draws out the curve of head and body, making the tree spirit seem to stretch forward, ready to speak.

樹精之萌 Sprouting Tree Spirit

樹精之萌主視角
第二個樹精從陶土中萌生，懷抱多張臉孔，讓生命的語彙開始聚集。 The second tree spirit sprouts from clay, holding many faces as the vocabulary of life begins to gather.
樹精之萌背面視角
背面顯露樹精伸展的身體，像生命正從另一側繼續生長。 The back reveals the tree spirit's stretching body, as if life continues to grow from the other side.
樹精之萌側面視角
側面讓懷抱的臉孔更靠近視線，像小生命在樹精胸前逐一醒來。 The side brings the held faces closer to view, like small lives waking one by one against the tree spirit's chest.

陶之始之二 Clay Origin II

容器與內在空間 Vessels and Inner Space

孔洞、臉孔與內部空間開始交疊，陶土不再只是外形，而成為承接生命、情緒與人格雛形的容器。 Openings, faces, and inner space begin to overlap; clay is no longer only outward form, but a vessel receiving life, emotion, and the first shapes of persona.

孕育之喜 Nurturing Joy

孕育之喜正面
正面密集的臉孔與眼睛聚在一起，像生命正在同時萌發。 Dense faces and eyes gather on the front, as if many lives were sprouting at once.
孕育之喜側面一
側面一顯示身體的延展，讓小臉孔在邊緣繼續生長。 Side view I shows the body's extension, where small faces continue to grow along the edge.
孕育之喜側面三
另一側的臉孔層層堆疊，讓初生的生命像從不同方向同時醒來。 Faces stack on the other side, making newborn life seem to awaken from several directions at once.

虛實之間 Between Virtual and Real

虛實之間正面全貌
正面全貌：洞口、臉孔與葉狀紋理交疊在一起，像真實的身體正在讓看不見的內在露出來。 Full front view: openings, faces, and leaf-like textures overlap, as if a real body were revealing the unseen interior.
虛實之間側面
側面：從側面看，許多小臉與孔洞同時浮現，像不同人格暫時住進同一座形體裡。 Side view: many small faces and openings emerge at once, as if different personas had temporarily entered the same form.
虛實之間右側面
右側面：另一側的身體更像一座開口的地形，讓沉默、觀看與呼吸都藏在縫隙之中。 Right side: the body becomes more like an opened terrain, where silence, gaze, and breath hide inside the gaps.

陶之始保留又禎宇宙最早以陶土靠近生命的痕跡：樹精、孔洞、臉孔與容器都還帶著初生的單純。 Clay Origin preserves the earliest traces of the Yuzen Universe approaching life through clay: tree spirits, openings, faces, and vessels still carry the simplicity of first birth.

這些作品像後來「陶與生命容器」與「人格考古學」的前奏，讓生命形象第一次從手的重量中浮現。 These works are preludes to Clay and Vessels of Life and Archaeology of Persona, allowing life images to first emerge through the weight of the hand.

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